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Posted: Tue 13. Sep 2016, 03:15
by Rachel McCollough
Thanks, Ron
Ha David! This is quite true...it could happen
Posted: Tue 13. Sep 2016, 05:49
by Robert Gage
David Cross wrote:You definitely have consistency!
Quite right, David. And yet, Rachel's work somehow just looks better and better....
Posted: Tue 13. Sep 2016, 07:02
by David Cross
Rather the point, though.

Posted: Tue 13. Sep 2016, 14:58
by Rachel McCollough
Thank you, I hope to never stop learning.
Posted: Tue 13. Sep 2016, 16:42
by Sebastian Schott
Great work.. I agree the consistency is unbelifeable..
Posted: Tue 13. Sep 2016, 16:58
by Sir Roger Tuson
Awesome once again Rachel. Your woodwork is just getting better and better.
Posted: Tue 13. Sep 2016, 18:28
by Tyler Blake
You have a whip cloning machine!
Posted: Tue 13. Sep 2016, 18:39
by Rachel McCollough

Thank you very much, friends!
Posted: Wed 14. Sep 2016, 13:53
by Ben Varsek
@ Rachel McCollough:
Outstanding work Mrs. McCollough !!!
I realy like the precice pyrography work on the cup of the handle on top of all the other great features of these whips !!!
All the best
Ben
Posted: Wed 14. Sep 2016, 14:01
by Robby Amper
I remember something, Ben wrote a few days ago. I'm not sure what it was.
I have to look for the post...
Robby
Posted: Wed 14. Sep 2016, 14:07
by Rachel McCollough
Thank you, Ben! The Jatoba is interesting to woodburn on for certain!
Posted: Wed 14. Sep 2016, 14:35
by Jessie Edwards
Interesting how? Is it soft or does it take a long time to get a burn? Either way, is it an even burn or is it like oak in which you have hard veins mixed in with soft veins?
I want to burn another handle. Stefan mentioned he would like one like the one I had done for the meet and greet, but I want to choose a nice wood...something more consistent and smooth than oak.
Posted: Wed 14. Sep 2016, 15:54
by Rachel McCollough
Robby you've got me very curious, I wonder just what you're thinking...
Jessie it's consistently hard. Evenly burns but takes time. Lots of time... But it is consistent. A less marked piece of Gonçalo where you'd have a more blank slate would burn much easier. I wonder how Jatoba would burn with the pyro pens like Tyler and Roy have???
Posted: Wed 14. Sep 2016, 15:59
by Jessie Edwards
okay. Maybe I will experiment.
Posted: Fri 16. Sep 2016, 03:23
by Rachel McCollough
Here's another one, I was going to make a solid rust but Lonnie mentioned Black with a yellow accent would look good with Bois D'arc so here it is:
6' 16 plait black and yellow With 16" fiberglass rod, English Eye.
Bois D'arc handcut wood grip with Tung oil.
Before waxing, it was getting late.
650 paracord from Whip Nation, Bois D'arc from our local woods.

Posted: Fri 16. Sep 2016, 04:12
by Ron May
Rachel, if I ever need a ruler or straight edge I could just use one of your whips and sight along your plaiting. That is super straight.
The TT to an English eye is just genius.
Your excellent usual job.
Ron
Posted: Fri 16. Sep 2016, 04:19
by Craig Frank
That's really cool looking. Especially the hybrid handle.
Posted: Fri 16. Sep 2016, 04:51
by Ron May
I also like the lack of a transition knot.
It looks so sleek and graceful.
The wood knob is like icing on the cake.
I think this is one of, if not the best whip you have ever made.
Ron
Posted: Fri 16. Sep 2016, 05:37
by Robert Gage
Rachel, the straightness of your plaiting is nothing short of astonishing! Golly!
Posted: Fri 16. Sep 2016, 05:55
by Rachel McCollough
Thank you very much, my friends!
I like it best without a transition knot in this case, too. It wouldn't serve a purpose at all....
Thanks
